Bogart In The Early 1940s

The previous post on “Batman in Paris” got me thinking more about movies. Let’s have some more fun.

My affinity for Humphrey Bogart is one my wife doesn’t entirely share. She understands his appeal. But, she also likes to say, he’s not really her cup of tea.

Her favo(u)rite actor of the ’40s and ’50s is Cary Grant. I like Grant also. In fact, I think men grow to appreciate him more as we get older. We all should walk around wearing a tuxedo at home, shouldn’t we? Our women would love it! 😉

Back to Bogart. Here are “five” of my Bogart “likes” from his “early-mid World War II” output. That coincides as well neatly with when he had risen to become a “leading man”:

1. Casablanca (1943): There is nothing I could write here that those far sharper and keener about films haven’t already. His weary American expatriate, Rick Blaine, who “returns to the fight,” is one of the classic figures in movie history. (I make a fictionalized reference to it in the book. Again slipped in something “below the radar” – although, this time, in a positive manner!)

A Casablanca film promo poster that was given to me as a gift. [Photo by me, 2013.]
A Casablanca film promo poster. [Photo by me, 2013.]
2. The Maltese Falcon (1941): While not a “war film” (it was released pre-Pearl Harbor), it can’t be overlooked here: it was Bogart’s first “leading” role. Watched in 2014, some of the private eye and “mysterious woman” banter between Bogart and Mary Astor may seem a little dated. But remember they were the trailblazers, and this one helped lay the groundwork for much of the “cop” / “private eye” stuff we see routinely today.

3. Sahara (1943): Well-acted and compelling. In it, interestingly, while women are discussed regularly, being completely a battlefield film, there’s not a single woman character. Its underlying theme that the Western Allies’ national, religious and racial diversity constitutes a major source of strength (as opposed to the Nazi hatred of “difference”), remains inspiring today.

4. Passage to Marseille (1944) The closest to a “real” Casablanca sequel that there is. If you know Casablanca by heart, but have never seen this, try it. It’s not Casablanca, but it’s still a pretty darn good film in its own right.

5. Across the Pacific (1942): It is a bit patchy, but a weaker Bogart film is still a Bogart film. Once again there is Mary Astor, and once again some great lines. “Remember the girl you dreamed about when you were 19?” says Rick Leland (Bogart, of course). “She’s it.” (If I’m recalling it properly.)

You ask, how could I not include To Have and Have Not? I know, I know; but I decided to keep my list here to five, as well as to confine it to early-mid wartime. (Have was released in 1945.) I also wanted to mention a couple of films – Passage and Pacific – that may not be as widely known today.

And this is a blog post, not an encyclopedia! 🙂