Researching facts is straightforward enough. But imbuing invented characters with a “three-dimensionality” that leads readers to picture them not as cardboard-like cutouts, but as real people? Accomplishing that latter is far more difficult.
I raise the issue because I worked yesterday on part of a chapter that dealt with characters confronting another’s sudden, life-threatening illness. (You would not expect me to reveal whose; and I won’t.) Doing so prompted me to reflect on this. If you write fiction, likely you have your own take.
What might a character blurt out in a moment of emotional turmoil? True, it is possible to research a response, or even to imagine one. However, if you have yourself actually said something for real, or overheard someone else say it, that certainly makes it easier to know what to put in a fictional character’s mouth in a similar situation.
I feel now that I am better grasping what he had meant. In that, perhaps the historian and political scientist in me is also bubbling to the surface. Specifically, I’ve been coming to conclude there is no way I really could’ve written Passports, and its sequel, say, two decades ago.
Don’t misunderstand me. I’m not asserting fiction cannot be written by anything other than old folks. Rather I suppose what I’m finding is that there is sometimes no substitute for (perhaps harsh) personal experience to help you turn your characters into the most believable “people” you can.